Winter embroidery

Winter arrived early and dramatically in southeast Australia. We've had some of the lowest June temperatures in a hundred years! With this very cold weather and more time spent indoors it seemed a good time to go through my UFO's*. 

First out the box was this Hedebo tea cozy. I adapted the design from one featured in the book 'Embroider Now' by the late Hetsie van Wyk, a well known South African embroiderer. Click here for more about Hetsie's work in one of my earlier blog posts. 

Second out my UFO box was a Hardanger coffee table runner. I had thought of unpicking one side because the runner is rather long. But, I am going to complete it just as it is. The original design appeared in a Burda magazine Special on Hardanger and you can see more about the embroidery in this blog post here.

We have my daughter and family staying with us while they demolish and rebuild their house. I needed something fairly easy to stitch, so I have been working on the runner. All the kloster blocks are already finished and once I've cut the threads for the next few Maltese crosses, it requires little concentration and no counting. 

My Hetsie tea cozy? I still need to work out how to put it all together. I hardly use a teapot anymore so it may not end up being a tea cozy. For now it's safely back in the UFO box with it's fellow UFO's.

'Till next time, happy stitching. 

And if you are in the southern hemisphere, I hope the weather is a little warmer where you are.

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*UFO - Unfinished Object

Reticella - Should it be White?

Reticella embroidery has always intrigued me. It's a form of whitework embroidery that combines cutwork and needlemade lace and it's generally identifiable by the square shape of the motifs.

South African embroiderers may remember the extraordinary embroidery of embroider and designer Hetsie van Wyk. See photos of Hetsie's embroidery here and here. Following the detailed instructions in her book Embroider Now, I once tried doing a little piece of Reticella - in pink.

I had just been on a visit to family in Zimbabwe and I had been able to find some Zimbabwe cotton. At the time it was a favourite among local embroiderers because it was an inexpensive evenweave type fabric that could be used for counted thread embroidery, particularly cross stitch and pulled thread work.

It was ideal for experimenting and trying out new stitches and techniques and I was tempted to buy not only the traditional white or ecru, but also small lengths of coloured fabric.

I find there is something especially alluring about white embroidery on white fabric. The question was to see how a piece of traditional whitework would look when embroidered on coloured fabric with matching threads.

Although I need more practice with the technique, I was fairly happy with this little piece of Reticella on the pink Zimbabwe cotton. But, I still think it's hard to beat whitework embroidery embroidered with white thread on white fabric. I'd love to know what you think.

Till next time, happy stitching!

Hedebo Tea Cosy and an Inspirational Motto

I have done a little more embroidery on my Hedebo tea cosy which I wrote about some time ago. This UFO (unfinished object) was started in 2006! I often wonder why some projects languish in the UFO or 'to do' box while others are completed fairly quickly.

Hedebo tea cosy based on a design by Hetsie van Wyk 

One of the things that bothers me about this Hedebo project is that I used perle threads for the surface embroidery and it has not given me the results I had envisioned. At the time perle or stranded DMC embroidery thread was all I could get. With internet shopping opening up the variety of threads available, I think I would now perhaps choose a cotton floche thread which is softer looking than the perle I used.

I have come across this inspirational quote a number of times recently and it prompted me to take action. After all perfection can be an enemy of progress. Can't it?

Photo: Offizin on Etsy

My tea cosy may not match up to my original mental picture of it but I really like the design and with my new motto 'done is better than perfect' I'm carrying on with the stitching. I can also practice techniques that I don't use often or haven't tried before - like the eyelets I was putting off doing.

The eyelets were made without cutting any threads and the 'special tool' I used to keep the openings all same size was a 2.75mm knitting needle. With a stiletto, awl or laying tool you have to judge how much to open up each hole, something I have found tricky. The knitting needle worked well for me and I like how you can get the same size hole each time - well almost.

The next step is to finish off the pulled work around the sides and around the border at the bottom. Then I can start cutting and withdrawing the threads for the drawn thread areas. Those are the bits I have been wanting to get to for a long, long time.

More whitework embroidery

In my last post there were photos of some of the exquisite embroidery on display at the Jubilee House Textile Museum in Stellenbosch, just outside of Cape Town. Here are a few more photos of the whitework embroidery on show there. The work is in cabinets behind glass making it difficult to photograph, but I hope you will enjoy seeing what I managed to capture.

 

The tea cosy designed and stitched by Hetsie van Wyk was worked on pink linen which showed up the stitching beautifully. Don't you just love those two dainty little triangular areas across the centre?

 

 

 

 And look at those eyelets on this richly embroidered cutwork cloth!

 

Another of Hetsie's embroidered works, this one in a shimmering silk thread and combining surface embroidery and a variety of openwork techniques:

 

There was so much to admire that I will have to pay the museum another visit one day. I didn't get a chance to look closely at the collection of Emily Hobhouse's lace though I did notice a couple of pieces of very fine needlepoint lace - well worth going back to see.

Textile Museum

Jubilee House in Dorp Street, Stellenbosch houses a collection of beautiful embroidery and lace. The building, originally the annex of a hotel next door, is now a National Monument and the headquarters of the Cape Women's Agricultural Association. If you are particularly interested in whitework or know of Hetsie van Wyk's rich and beautifully executed embroidery and would like to see some of it, then this is a little treasure of a museum to visit when you are in or around Cape Town.

The museum is open Monday to Friday 9-12am, with a small entry fee. It has few visitors so if you find the doors locked, like Gill and I did this morning, just knock or ring and the secretary will open up for you.

On the way upstairs a stop in at the committee room revealed a tablecloth made of 18 separate embroidered squares, joined with lace insets, and each one a different design and technique. The photos are unclear but they do give some idea of the amount of work in the cloth.

Then we noticed a Hardanger cloth in use on a trolley with large (did I say large?) openwork areas. The beauty lay in the evenness of the tension.

One room is dedicated to embroidery with 30 examples of Hetsie van Wyk's work in the glass cabinets. This was what I had come to see. You should have seen Gill and I on our hands and knees examining some of those treasures on the bottom shelf!

 I just loved these two christening gowns.

The christening gown on the left is Carrickmacross, the technique similar to the embroidered lace on Kate Middleton's wedding dress when she married Prince William. And the one on the right is delicate shadow work. The lace was also made by Hetsie, some of which is hidden underneath on the petticoats! Here is a closer look at the Carickmacross gown:

Carrickmacross embroidery detail - the flowers are appliqued and then fine patterns are darned into the net. The picots on the edge are known as 'twirls' and the eyelets are 'pops'

This is the shadow work gown with a glimpse of the lace on the petticoat showing through the fine fabric:



This post is growing rather long. I'll put up more photos in the next one. Till then, happy stitching!