Sunday, March 7, 2021

Phulkari flower embroidery

As has happened to many forms of embroidery, Phulkari embroidery handmade in the Punjab and the northern areas of India was slowly being replaced by machine-made embroidery. That was until a group of women got together to revive it. The group are now promoting it, supporting themselves and their families, and encouraging the younger generation to value it too.

Phulkari motifs. Photo courtesy: Strand of Silk

Phulkari embroidery. Photo courtesy: Wikipedia

There's a short BBC video about this extraordinarily labour intensive embroidery here. The video clearly shows the technique, and how it is stitched. 

It's interesting that shape of the 8-petalled lotus flower used in Phulkari appears in many other forms of embroidery, such as canvas work, pulled thread or Schwalm. It can be purely decorative or represent either a flower or an 8-pointed star. Here it is on my canvas work bookmark stitched with a one of Penny Cornell's variegated threads.

Tuesday, February 23, 2021

Pulled Thread Sampler Pincushion

Some time ago, I experimented with stitching a small pulled thread sampler, without an embroidery frame. 

I enjoyed the more tactile experience of actually holding the fabric in my hand while I stitched. You can read more about that by clicking here.  

Below, you may just be able to see how I used the edge of the fabric for trying out some of the stitches, before embroidering them on the sampler itself. The pile of books are all stitch dictionaries I refer to.

The embroidery was finished ages ago and I took it out of the cupboard the other day to damp stretch it, or block it, on my cork board. It's amazing the difference that makes, turning a crumpled piece of fabric into a pristine looking embroidery. Walking past to my printer, my husband noticed it straight away and stopped to comment.

Looking back over the stitches on the little sampler, the stepped satin stitch is the most striking. Although it's an easy stitch to embroider, being made up of straight stitches all lying quite predictably next to each other, it makes a big impact. Perhaps it's the play of light over the stitches, or may be it's the way your eye is drawn down over the steps, along a strong diagonal. It's a 'big stitch' and it does need quite a bit of space to show it off to full effect.

One of my favourite stitches is diagonal cross filling, which I did in band number four. Once the first row is in place the following rows are very quick and easy to do. I kept the tension light this time, so it's more of surface stitch than a pulled stitch and it reminded me of smocking.

For the sampler I used 28 count Zweigart linen, with DMC pearl thread no. 12 for the pulled work, and no. 8 for the satin stitch. The stitches are worked over 4 threads, except for the eyelets and the satin stitch leaves. 

The bands on the sampler are made up of nine different stitches. From top to bottom, the stitches are:

1. Pulled satin stitch
2. Four-sided stitch
3. Spaced pulled satin - 2 pulled satin, skip 5 threads 
4. Diagonal cross filling
5&6. Flowers - surface satin leaves, eyelets over 2 threads
7. Cobbler filling
8. Algerian eyelets over 3 threads
9. Pulled stepped satin stitch - 5 stitches on a step

 Next time I'll show you what I want to do with the little sampler. 

'Till then, take care and happy stitching!

Saturday, February 13, 2021

Star Trek Goes Boldly Where it Has Not Gone Before

We're all into our second year of Covid. It's lovely to read something uplifting in the middle of all the changes and difficulties it has brought with it - especially when it's due to needlework. 

Courtesy American Sewing Guild

Lynda Harrison, a member of the American Sewing Guild, went through the stash in her cupboard during a Covid shutdown and made up a lap quilt. Her quilt brought about some great surprises.  To read about them, click on this link To Go Boldly where No Quilt Has Gone Before.

'Till next time, happy stitching!

Monday, January 11, 2021

Pulled Thread Tangram

Pulled Thread Tangram by Tricia Elvin-Jensen

As a child did you ever play with the shapes of a Tangram puzzle and see what designs you could make with those seven pieces? (Click here for instructions on how to draw your own Tangram shapes.)

Imagine using those shapes to design an embroidery. The Embroiderers' Guild of New South Wales in Australia issued a challenge to their members to do just that - create an embroidery based on the Tangram. 

Oceans away and through the Cape Embroiderers' Guild in Cape Town, my stitching friend Tricia Elvin-Jensen heard about the 'Yellow Envelop Challenge'.  Although not a member of the NSW Guild and therefore not officially able to take part, she nevertheless set to work using her favourite techniques of drawn thread and pulled thread embroidery. And, she challenged herself in another way too and created this beautiful embroidery.  

Tricia-Elvin Jensen

Taking the Challenge  requirements into consideration and with careful measurement, Tricia was able to adapt a UFO she'd started previously. The edge picot row, the outer drawn row and the flower meander row had already been worked.  The grid of the top border and the drawn thread strip at the bottom had also already been prepared, and she decided to fill those drawn areas and the side borders with geometric designs to echo the shapes of the Tangram.

So far so good, but things didn't quite all go as planned. While embroidering the new central Tangram design, Tricia said she mistook her central marking line as a division in the medium triangle and ended up with two smaller triangles - each filled with a different pulled thread stitch pattern. At that stage she said, 'there was NO ways I was going to undo either of those areas'. I think we can all identify and sympathize with that. 

Tricia Elvin-Jensen

Besides taking part, completing the challenge and finishing a UFO, the project proved to be a great incentive for getting Tricia back into embroidery after having had back and eye problems. It also helped her over the very strict lockdown rules of Covid19 in her retirement village.

With kind permission of the New South Wales Embroidery Guild and to inspire you even further, below are the three winning entries of the Yellow Envelop Challenge stitched by their Guild members. Congratulations! 

1. Sue Slattery

2. Frances James

3. Denise Pennell
'Till next time, I hope you find much to inspire your stitching. Perhaps you too can take a UFO, change your original intentions and complete a beautiful piece of embroidery.


Sunday, December 20, 2020

Christmas angels

I used a few minutes here and there and finished stitching these little Christmas angels, ready for their new owners. 

There was a hint in my last post here about what I was stitching. I wonder how many of you recognized the Hardanger angel designed by Rita Tubbs. It's such a sweet little pattern.

On the 28 count (i.e. 28 threads per inch) Zweigart linen I used, I found a number 5 DMC Pearl thread a bit too thick for the buttonhole edge and the Kloster blocks. So I used a Pearl number 8 thread instead. A metallic, gold, Madeira thread gives the skirts a little sparkle. The Dove's eye's are done with DMC Pearl number 12. 

When all the stitching was finished, I found my sharp pointed scissors, took a deep breath, and cut, working from the back of the embroidery. That cutting out at the end is always a bit stressful - just in case you snip a thread that shouldn't be cut. But this time all went well.

That's one more thing I can cross off my Christmas to do list. Now I have a few more presents to wrap.

In my next post I'll have an interesting story and an interesting piece of pulled thread work to show you. It was embroidered by my stitching friend Tricia. Until then I will be taking a low-key break over the holidays. 

Wishing you well over Christmas and the festive season. May next year be a better one for all of us.

Thursday, December 10, 2020

A little Christmas stitching

Towards the end of November, I came across a charming Christmas To Do/Bucket List on Canadian Needle Nana's blog. Suddenly the penny dropped that Christmas was hurtling towards us and I hadn't given it much thought. It was time for my to do list. And I wanted to make one small embroidered gift, but more about that below.

The grandchildren helped put up the Christmas tree this week. It was well worth waiting for them to come over and do it with us. The lights had to go up first and were switched on straight away. Already there was a Christmassy atmosphere. Then the ornaments were unpacked. There was some disappointment when the ornaments made by the Dubai cousins were unwrapped and we explained that they couldn't come for Christmas this year. That's because Australia's borders are still closed to international travellers due to our Covid restrictions. 

It was a rainy afternoon and sorting out the tree and the decorations kept us all busy: trying on the very long string of gold beads; walking round and round the Christmas tree wrapping it in beads and then fat strands of tinsel; and finally examining the decorations before hanging them up one by one. It was the perfect rainy day activity. It was the first rain in six weeks and very welcome, especially as we were in the middle of a ten day heatwave. 

Christmas presents were next on my to do list and there Google was a boon. I have spent quite some time doing the shopping - all online so far. It's way too easy to click that pay now button! The postie will have a heavy bag when he gets to our house. I hope he arrives with all the parcels before Christmas otherwise I might be handing out IOU's instead of giving presents this year.

That little stitched gift is for kind in-laws who have invited us for Christmas lunch. You may recognize the first steps in the photo below. Yes, it's Hardanger. I have made several over the years and given them all away. This year I had to ask my daughter to lend me hers - off of her Christmas tree! - to remind me how to do it. It's almost half way and should be finished soon. Then I have three family birthdays to think about in the next two weeks!

How ever you will be spending Christmas at the end of this extraordinary year, I hope you are making good progress with your Christmas to do list, and enjoying yourself along the way.

'Till next time, happy stitching!


P.S. I wonder if other bloggers are also stumbling along with Blogger's changed formatting and the photo quality? I've gotten used to some of the changes but seem to come across another challenge each time I put up a new post. Perhaps there are new changes being applied every couple of weeks?

Wednesday, December 2, 2020

My Cushion is on my Grandmother's chair

The twenty leaves I set out to stitch for the Leaf Sampler stitch along have been waiting to be made up into a cushion cover. And finally, it's finished! You can read more about the SAL in previous blog posts by clicking on the links below.

Leaf SAL Begins

Leaf SAL- Up and Down Buttonhole Stitch

Leaf SAL - 10 Leaves

Pentas, Embroidery and Caterpillars

Leaf SAL - Sixteen Leaves

Leaf SAL and August Weather

To complete the embroidery, I added my initials and date, as well as "Covid-19" as a record that I stitched it during lockdown of this topsy-turvy year. I disguised the lettering a little by surrounding it with a leaf shape.  It's rather squished in but then the leaves are supposed to be scattered randomly anyway. Aren't they? 

I framed the leaves with a row of stem stitch. Then I carefully washed out the blue disappearing ink I'd used liberally to mark the lines, and the spacing of some of the more tricky stitches. 

I didn't want to iron the stitches flat. Instead, once the embroidery was dry I pinned it onto a cork board, making sure it was square, and sprayed it with water to damp stretch it. 

That pinning and stretching does take a bit of time and patience but it gives the embroidery a lovely finish without the need for any ironing.

The chair the finished cushion stands on is rather special to me. It belonged to my grandmother. She lived in Kimberley, South Africa towards the end of the diamond rush. There she was chairman of the Women's Temperance Union and when the family left to go farming in Potchefstroom, she received a pair of chairs as a farewell gift from the members. This chair was rescued and painstakingly restored by my father very many years later.

I would love to have met my grandmother. She raised seven children, worked with my grandfather on their dairy farm, played the organ in church on Sunday, painted in oils, hand knitted socks, and every now and then would be asked to load her piano on the ox wagon, cross the river into town and provide the entertainment at the local fete!

I wonder what my grandmother would have said about her chair being shipped across the ocean and now standing in my entrance hall in Australia, far from it's original place at the table in the old farm kitchen.

'Till next time, I hope you are well, do keep safe and carry on stitching.

Tuesday, November 24, 2020

Stick to the Pattern or Ring the Changes?

This sunny, cheerful pincushion was stitched by Jennifer Costa and it was her first canvas work project. She started with the Leafy Green canvas work pattern. Then she exercised her imagination and changed the colours that the pattern suggested, using the threads she had to hand. Jennifer also adapted the pattern by making her version of the pincushion smaller and leaving off the outer border.  

canvas work pattern
Leafy Green Pincushion Pattern as adapted by Jennifer Costa 

It's rewarding when someone takes an embroidery pattern and changes it to match up to their vision of what it could be, or the materials they have in their stash. It's satisfying to both the embroiderer, who uses their creative talents and sees the concrete result of their efforts and ideas, and it's also gratifying to the designer to learn that the pattern has brought inspiration, enjoyment and success to the stitcher.

The Leafy Green pattern for the pincushion was originally designed by my friend Beryl Saunders in muted greens and blues. But, there is no reason why you have to stick to the suggested palette. Choose colours to suit yourself, colours that you already have, or colours to match your sewing accessories or your decor. Best of all simply stitch with your favourite colours and enjoy them as you work. 

The colours can be bright and cheerful, cool and calming, fashionable or even seasonal. The leaves in the centre of Beryl's design resemble prickly holly leaves, so try Christmassy greens and reds and it could become an ornament for the Christmas tree. 

The pattern is available as a digital download in my Etsy shop.  Click on the blue button below to visit the shop.

The only question now is, Will you stick to the pattern or ring the changes? Whatever you decide, 'till next time, happy stitching!

Friday, October 9, 2020

Dainty Hardanger

I was looking through my cupboard for some inspiration when I found these little Hardanger treasures. Most of the small embroideries I do are given away, but these I couldn't part with.

Some years ago I was fortunate to do classes with Lynne Laver of Fish Hoek, a popular seaside town in Cape Town. Lynne designed the most intricate and beautiful Hardanger pieces. Turn this little sachet over and you are in for a surprise.

The embroidered back is quite different. And it is smaller than the front. It's the front that forms the see-through lacy edge.

The blue needlecase and tiny pincushion have a delicate edge stitched with DMC cotton sewing machine thread. The challenge for me was all those picots. It was also the first time I used a coloured thread for Hardanger rather than the traditional white on white.

Talking of colour, the scissor keep and pincushion were embroidered with a space-dyed thread by Chameleon. Rather than detracting from the embroidery, the soft coloured thread complemented the dainty Hardanger stitches very well.

There was nothing predictable about the reverse side of Lynne's scissor keep pattern either. I'd been wanting to try out that stitch in the centre of the kloster block for some while and here was the opportunity. 

The triangular piece at the top of the scissor keep folds down to keep the scissors in place. I still have to find a pretty pearl button the correct size for the fastening. 

Somehow I know I will never actually use any of these. I just enjoy looking at them when I come across them in the cupboard. Perhaps you have treasures like that too?

I hope you are keeping well and safe. Enjoy your weekend and happy stitching!

Tuesday, September 22, 2020

A New Pulled Thread Book - in French

I received a dictionary of pulled thread stitches for my birthday last year. Unfortunately for me, it's written in French. The languages I studied at school were Engish, Afrikaans and Latin. I don't speak a word of French. Or Latin.

The first thing anyone says when I mention that the book is written in French is 'Just use Google Translate.' And certainly, I found the translations useful. It's when I got to the technical terms that things became less clear. One translation amused me. After all, does one really use 'wire' for pulled thread embroidery? I did sort that puzzle out pretty quickly though.

Mary Corbett's review of a needlelace book, translated from the original French, alludes to the tricky question of translating specialized embroidery terms in a meaningful way. I can see now that not only is a bilingual person required for the translation, but preferably one who is familiar with all the very specific terms too. You can see Mary's comments in her blog post here.  Anyway, overall, I think I got a fair sense of what the text in my new book is covering.

The book itself is beautifully designed and a pleasure to page through and study. The graphics are clear and self explanatory. There are also diagrams of how the back of each stitch should look which is useful for making sure that you are working the stitch in the correct direction and the right sequence of the steps. The depth of information and care with which it is presented is remarkable. I'm just sorry that my photos don't do it justice.

The book covers the basic pulled thread stitches beginning with Satin stitch, goes on to Four-sided stitch, and includes Wave stitch, Faggot stitch and a few others. There are also many variations of these basic stitches, together with a photo of the stitched example. Finally there are combination stitches also with beautifully embroidered stitch samples.

The book Jours fils à resserrés by Marie-Helene Jeanneau was published in 2019 by Neva. Sadly Marie-Helene passed away the previous year. The book is labelled Volume 1.  How I would love to have seen what she had planned for Volume 2. 

Although I got the gist of the book and the stitch diagrams were clear and easy to follow, I would still like to be able to accurately interpret every word.  I think there is a wealth of useful information and technical know-how tucked away in those (to me) unfathomable French terms. 

I contacted the publisher to enquire about an English version of the book. He did say that there was an intention to translate it at a future date, and that it may be published by another publisher. I'll keep a lookout for that.

'Till next time, happy stitching!