Back of the embroidery - travelling threads

In her blog post of 6 September, Mary Corbett talks about the back of embroidery, specifically the back of something like a tablecloth where the back remains exposed. Although you don't see the back when the tablecloth is laid out on the table, there are times when the back is visible. The question is just how much attention should you pay to the back while you are stitching. 

You can read Mary's post here where she suggests a nice balance between keeping the back neat but not going overboard and spending too much time on it. Her tip for managing travelling threads by using an embroidered path on the back holds true for any type of embroidery. 

Cupcake pot holder

When considering how neat the back of an embroidery should be, take the type of fabric into account - whether it's a close weave or an open weave. I wrote previously about moving between pulled thread stitches on an open weave linen. Random threads across the back of the embroidery that show through to the front distract from the regularity of the counted work. Here's a link my blog post about how to minimize any show-through to the front of the piece by keeping a constant rhythm to the stitches.

The back does matter and it's worth thinking about how much the travelling threads on the back will show through to the front - whether it's surface embroidery with coloured threads like my cupcake pot holder, Mary's little tablecloth, or whether it's pulled thread work with white thread on white fabric. 

Unless you are entering a competition, I think the back must be neat but it does not have to be perfect. Control travelling threads either by keeping a pattern or rhythm to the movement from one stitch to the next, or as Mary so clearly illustrates, by following a path on the back that's already been stitched.

'Till next time, happy stitching!

The back of the Embroidery

This is the back of my Daisy Band Sampler Pincushion. There was quite a lot of unpicking on that daisy row because I wanted a sequence that I could repeat all across the row and keep the back looking uniform. Below you can see how the thread enters and leaves each eyelet in the identical way. (Those little fluffy threads on the lower edge of the band of diagonal cross filling were snipped off when all the stitching was finished.)

Because the fabric used for pulled thread is usually a more open weave, threads carried across from stitch to stitch on the back may show through to the front. Any haphazard stitching on the back can often be picked up and it detracts from the finished embroidery. You can check for this by placing the embroidery over a dark background. It's then easy to make sure that no threads are either showing through holes or where they are noticeable and look untidy.

On some types of embroidery where the fabric is more closely woven, it's quite acceptable to carry thread across short spaces, but with pulled thread a little more care is a good idea. For neat pulled thread work it's important to keep a rhythm or regular pattern to the stitches. Each stitch should be worked in the same sequence, and pull in the same direction. 

Daisy Band Sampler Pincushion

Here's the finished embroidery. You can see more about the Daisy Band Sampler Pincushion in a previous blog post here.

Co-incidentally just after I finished writing this post, I listened to the latest interview with Yvette Stanton on Fiber Talk. Yvette and Gary discuss how useful it is to look at the back of the embroidery, not to check how neat it is, but to see exactly how the stitch was worked. There's a lot to learned on the back. 

'Till next time, happy stitching!